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Consolation of a desperate progress. Our age gives the impression of being an interim; the old views on life, the old cultures are still evident in part, the new ones not yet sure and habitual, and therefore lacking in unity and consistency. It looks as if everything were becoming chaotic, the old dying out, the new not worth much and growing ever weaker. But this is what happens to the soldier who learns to march; for a time he is more uncertain and clumsy than ever because his muscles move, now to the old system, now to the new, and neither has yet decisively claimed the victory. We waver, but we must not become anxious about it, or surrender what has been newly won. Besides, we cannot go back to the old system; we have burned our bridges behind us. All that remains is to be brave, whatever may result.
Let us step forward, let's get going! Perhaps our behavior will indeed look like progress; but if it does not, may we take consolation in the words of Frederick the Great: "Ah, mon cher Sulzer, vous ne connaissez pas assez cette race maudite, à laquelle nous appartenons:'⁸

249

Suffering from culture's past. Whoever has clearly understood the problem of culture suffers from a feeling similar to that of a man who has inherited riches that were acquired through illegal means, or a prince who rules because of his forefathers' atrocities. He thinks of his origin with sadness, and is often ashamed, often irritable. The whole sum of the strength, will to life, and joy that he expends on his estate is often balanced by a deep weariness: he cannot forget his origin. He regards the future with melancholy: he knows in advance that his descendants will suffer from the past as he does.

250

Manners. Good manners disappear proportionately as the influence of the court and a self-contained aristocracy declines. This decrease can be observed clearly from decade to decade, if one has an eye for public events, which visibly become more and more vulgar. No one today understands how to pay homage or flatter with wit; this leads to the ludicrous fact that in cases where one must do homage (to a great statesman or artist, for example), one borrows the language of deepest feeling, of loyal and honorable decency-out of embarrassment and a lack of wit and grace. So men's public, ceremonious encounters seem ever more clumsy, but more tender and honorable, without being so.
But will manners keep going downhill? I think, rather, that manners are going in a deep curve, and that we are nearing its low point. Now we inherit manners shaped by earlier conditions, and they are passed on and learned ever less thoroughly. But once society has become more certain of its intentions and principles, these will have a shaping effect, and there will be social manners, gestures, and expressions that must appear as necessary and simply natural as these intentions and principles are. Better division of time and labor; gymnastic exercise become the companion of every pleasant leisure hour; increased and more rigorous contemplation, which gives cleverness and suppleness even to the body-all this will come with it.
As this point one might, of course, think, somewhat scornfully, of our scholars: do they, who claim to be antecedents of the new culture, distinguish themselves by superior manners? Such is not the case, though their spirit may be willing enough: their flesh is weak.⁹ The past is still too strong in their muscles; they still stand in an unfree position, half secular clergymen, half the dependent educators of the upper classes; in addition, the pedantry of science and out-of-date, mindless methods have made them crippled and lifeless. Thus they are, bodily at least, and often three-quarters spiritually, too, still courtiers of an old, even senile culture, and, as such, senile themselves; the new spirit, which occasionally rumbles about in these old shells, serves for the meanwhile only to make them more uncertain and anxious. They are haunted by ghosts of the past, as well as ghosts of the future; no wonder that they neither look their best, nor act in the most obliging way.

251

Future of science. To the man who works and searches in it, science gives much pleasure; to the man who learns its results, very little. But since all important scientific truths must eventually become everyday and commonplace, even this small amount of pleasure ceases; just as we have long ago ceased to enjoy learning the admirable multiplication tables. Now, if science produces ever less joy in itself and takes ever greater joy in casting suspicion on the comforts of metaphysics, religion, and art, then the greatest source of pleasure, to which mankind owes almost its whole humanity, is impoverished. Therefore a higher culture must give Give man a double brain, two brain chambers, as it were, one to experience science, and one to experience nonscience. Lying next to one another, without confusion, separable, self-contained: our health demands this. In the one domain lies the source of strength, in the other the regulator. Illusions, biases, passions must give heat; with the help of scientific knowledge, the pernicious and dangerous consequences of overheating must be prevented.
If this demand made by higher culture is not satisfied, we can almost certainly predict the further course of human development: interest in truth will cease, the less it gives pleasure; illusion, error, and fantasies, because they are linked with pleasure, will reconquer their former territory step by step; the ruin of the sciences and relapse into barbarism follow next. Mankind will have to begin to weave its cloth from the beginning again, after having, like Penelope, destroyed it in the night. But who will guarantee that we will keep finding the strength to do so?

252

Pleasure in knowing. Why is knowledge, the element of researchers and philosophers, linked to pleasure? First and foremost, because by it we gain awareness of our power-the same reason that gymnastic exercises are pleasurable even without spectators. Second, because, as we gain knowledge, we surpass older ideas and their representatives, become victors, or at least believe ourselves to be. Third, because any new knowledge, however small, makes us feel superior to everyone and unique in understanding this matter correctly. These three reasons for pleasure are the most important, but depending on the nature of the knower, there are still many secondary reasons.
At one unlikely place, my expostulation about Schopenhauer¹⁰ gives a not inconsiderable catalogue of these reasons, a tabulation to satisfy every experienced servant of knowledge, even if he would want to wish away the hint of irony that seems to lie on the pages. For if it is true that "a number of very human drives and urges have to be mixed together" for a scholar to come into being, that he is, to be sure, of a very noble metal, but not a pure one, and "consists of a complicated weave of very different impulses and stimulations," then the same is also true of the origin and nature of the artist, philosopher, or moral genius-and whatever glorified great names there are in that essay. With regard to origin, everything human deserves ironic reflection: that is why there is such an excess of irony in the world.