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How seeming becomes being. ¹⁹ Ultimately, not even the deepest pain can keep the actor from thinking of the impression of his part and the overall theatrical effect, not even, for example, at his child's funeral.²⁰ He will be his own audience, and cry about his own pain as he expresses it. The hypocrite who always plays one and the same role finally ceases to be a hypocrite. Priests, for example, who are usually conscious or unconscious hypocrites when they are young men, finally end by becoming natural, and then they really are priests, with no affectation. Or if the father does not get that far, perhaps the son, using his father's headway, inherits the habit. If someone wants to seem to be something, stubbornly and for a long time, he eventually finds it hard to be anything else. The profession of almost every man, even the artist, begins with hypocrisy, as he imitates from the outside, copies what is effective. The man who always wears the mask of a friendly countenance eventually has to gain power over benevolent moods without which the expression of friendliness cannot be forced--and eventually then these moods gain power over him, and he is benevolent.