3

Esteeming humble truths. It is the sign of a higher culture to esteem more highly the little, humble truths, those discovered by a strict method, rather than the gladdening and dazzling errors that originate in metaphysical and artistic ages and men. At first, one has scorn on his lips for humble truths, as if they could offer no match for the others: they stand so modest, simple, sober, even apparently discouraging, while the other truths are so beautiful, splendid, enchanting, or even enrapturing. But truths that are hard won, certain, enduring, and therefore still of consequence for all further knowledge are the higher; to keep to them is manly, and shows bravery, simplicity, restraint. Eventually, not only the individual, but all mankind will be elevated to this manliness, when men finally grow accustomed to the greater esteem for durable, lasting knowledge and have lost all belief in inspiration and a seemingly miraculous communication of truths.
The admirers of forms,4 with their standard of beauty and sublimity, will, to be sure, have good reason to mock at first, when esteem for humble truths and the scientific spirit first comes to rule, but only because either their eye has not yet been opened to the charm of the simplest form, or because men raised in that spirit have not yet been fully and inwardly permeated by it, so that they continue thoughtlessly to imitate old forms (and poorly, too, like someone who no longer really cares about the matter). Previously, the mind was not obliged to think rigorously; its importance lay in spinning out symbols and forms. That has changed; that importance of symbols has become the sign of lower culture. Just as our very arts are becoming ever more intellectual and our senses more spiritual, and as, for example, that which is sensually pleasant to the ear is judged quite differently now than a hundred years ago, so the forms of our life become ever more spiritual--to the eye of older times uglier, perhaps, but only because it is unable to see how the realm of internal, spiritual beauty is continually deepening and expanding, and to what extent a glance full of intelligence can mean more to all of us now than the most beautiful human body and the most sublime edifice.

4. Artists and aesthetes, as opposed to scientists.

Friedrich Nietzsche - Human, All Too Human
Section One: Of First and Last Things - Aphorism # 3

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