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Microcosm and macrocosm of culture. Man makes the best discoveries about culture within himself when he finds two heterogeneous powers governing there. Given that a man loved the plastic arts or music as much as he was moved by the spirit of science, and that he deemed it impossible to end this contradiction by destroying the one and completely unleashing the other power; then, the only thing remaining to him is to make such a large edifice of culture out of himself that both powers can live there, even if at different ends of it; between them are sheltered conciliatory central powers, with the dominating strength to settle, if need be, any quarrels that break out. Such a cultural edifice in the single individual will have the greatest similarity to the cultural architecture of whole eras and, by analogy, provide continuous instruction about them. For wherever the great architecture of culture developed, it was its task to force opposing forces into harmony through an overwhelming aggregation of the remaining, less incompatible²⁷ powers, yet without suppressing or shackling them.