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The artist's feeling for truth. When it comes to recognizing truths, the artist has a weaker morality than the thinker; on no account does he want his brilliant, profound interpretations of life to be taken from him, and he defends himself against sober, plain methods and results. Ostensibly, he is fighting for the higher dignity and meaning of man; in truth, he does not want to give up the most effective presuppositions for his art, that is the fantastic, the mythic, uncertain, extreme, feeling for the symbolic, overestimation of the individual, belief in something miraculous about genius: thus he thinks the continuation of his manner of creating is more important than a scientific dedication to truth in every form, however plain it may appear.